Mapeo de fluorescencia inducida por láser de pigmentos en murales secco pintados

  1. María Auxiliadora Gómez-Morón 1
  2. Rocío Ortiz 2
  3. Franceso Colao 3
  4. Roberta Fantoni 3
  5. Javier Becerra Luna 2
  6. Pilar Ortiz 2
  1. 1 nstituto Andaluz del Patrimonio Histórico (IAPH), Seville, Spain
  2. 2 Universidad Pablo de Olavide
    info
    Universidad Pablo de Olavide

    Sevilla, España

    ROR https://ror.org/02z749649

    Geographic location of the organization Universidad Pablo de Olavide
  3. 3 Fusion and Technology for Nuclear safety and Security. Italian National Agency for New Technologies, Energy and Sustainable Economic Development (ENEA). Frascati, Italy
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Journal:
Ge-conservación

ISSN: 1989-8568

Year of publication: 2020

Issue: 17

Pages: 233-250

Type: Article

DOI: 10.37558/GEC.V17I1.759 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Ge-conservación

Sustainable development goals

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SDG classification obtained using Aurora SDG artificial intelligence model.

Abstract

Laser-induced fluorescence is a remote analysis tool, successfully applied to real-time diagnosis of historical artworks, allowing the observation of features invisible to naked eye, as traces of retouches or presence of modern consolidants. Aim of the present paper is to introduce an historical database of pigments with respective binders and consolidants, realized to support the remote identification and mapping of these materials onto a mural in the least invasive way. To this aim, a monochromatic ultraviolet laser source emitting at 266nm with remote scanning has been used in combination with reflectance. Wall painted models have been built with a secco technique according to traditional recipes of XVII century. Digital image analysis, principal component analysis and spectral angle mapping have been carried out on data to get the mapping of two selected pigments, blue smalt and red carmine, in a real mural painting (XVII century). This non-invasive technique allowed us to operate remotely, a distance up to 11 m from the artwork. Results are consistent with traditional microanalysis performed to identity major pigments.

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Funding information

This study has been supported by the agreements IAPH-UPO & UPOENEA, Jos? Castillejo (2010) and Technoheritage (2013) grants of Pilar Ortiz and the Project of Excellence of Junta de Andalusia HUM-6775 (RIVUPH).

Funders

    • HUM-6775

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