Mapeo de fluorescencia inducida por láser de pigmentos en murales secco pintados

  1. María Auxiliadora Gómez-Morón 1
  2. Rocío Ortiz 2
  3. Franceso Colao 3
  4. Roberta Fantoni 3
  5. Javier Becerra Luna 4
  6. Pilar Ortiz 2
  1. 1 nstituto Andaluz del Patrimonio Histórico (IAPH), Seville, Spain
  2. 2 Department Physical, Chemical and Natural Systems, University Pablo de Olavide, Seville, Spain
  3. 3 Fusion and Technology for Nuclear safety and Security. Italian National Agency for New Technologies, Energy and Sustainable Economic Development (ENEA). Frascati, Italy
  4. 4 Universidad Pablo de Olavide
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    Universidad Pablo de Olavide

    Sevilla, España

    ROR https://ror.org/02z749649

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Revista:
Ge-conservación

ISSN: 1989-8568

Año de publicación: 2020

Número: 17

Páginas: 233-250

Tipo: Artículo

DOI: 10.37558/GEC.V17I1.759 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Ge-conservación

Objetivos de desarrollo sostenible

Resumen

La fluorescencia inducida por láser es una técnica de análisis a distancia, aplicada con éxito en tiempo real para el diagnóstico de obras de arte, permitiendo la observación de características invisibles al ojo humano, como rastros de retoques o la presencia de consolidantes modernos. El objetivo de este artículo es generar una base de datos de pigmentos históricos con sus respectivos aglutinantes y consolidantes, realizada para respaldar la identificación remota y el mapeo de estos materiales en un mural de la forma menos invasiva posible. Para este objetivo, se ha utilizado una fuente láser monocromática ultravioleta que emite a 266nm con escaneado remoto en combinación con reflectancia. Se realizaron modelos de pintura mural en técnica a secco de acuerdo con las recetas tradicionales del siglo XVII. Análisis digital de imagen, análisis de componentes principales y mapeado de ángulo espectral ha sido llevado a cabo para obtener los datos de mapeado de dos pigmentos seleccionados, azul esmalte y rojo carmín en una pintura mural real (siglo XVII). Esta técnica no invasiva nos permitió trabajar de manera remota, a una distancia de 11 m de la obra de arte. Los resultados son consecuentes con los microanálisis tradicionales llevados a cabo para identificar pigmentos mayoritarios.

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Información de financiación

This study has been supported by the agreements IAPH-UPO & UPOENEA, Jos? Castillejo (2010) and Technoheritage (2013) grants of Pilar Ortiz and the Project of Excellence of Junta de Andalusia HUM-6775 (RIVUPH).

Financiadores

    • HUM-6775

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