All-Woman Jazz Bands and Gendered BeboppersGayl Jones and Gloria Naylor’s Jazz Fiction

  1. ROCÍO COBO PIÑERO 1
  1. 1 Universidad de Cádiz
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    Universidad de Cádiz

    Cádiz, España

    ROR https://ror.org/04mxxkb11

Aldizkaria:
Revista de Estudios Norteamericanos

ISSN: 1133-309X,  2253-8410

Argitalpen urtea: 2015

Zenbakia: 19

Orrialdeak: 13-28

Mota: Artikulua

DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Revista de Estudios Norteamericanos

Laburpena

El jazz se ha identificado tradicionalmente con instrumentistas y escritores varones. Por ello, este artículo se propone un doble objetivo: por un lado, subraya el importante papel de las mujeres como instrumentistas y directoras de bandas en la formación de una contracultura del jazz, en particular durante la Segunda Guerra Mundial; por otro, conecta las técnicas del bebop y sus significados culturales con as novelas Corregidora (1975) y Eva’s Man (1976), de Gayl Jones, y The Women of Brewster Place (1982) y Bailey’s Cafe (1992), de Gloria Naylor. El presente artículo presta especial atención al bebop quoting , técnica jazzística que tradicionalmente ha representado un lugar de significación masculina, pero que también permite a las instrumentistas y escritoras deconstruir y cuestionar estereo tipos asociados a la identidad/identidades de las mujeres negras

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