Rewriting the Myth of AtalantaCross-Dressing and Gender Equality in Emily Hauser’s For the Winner

  1. Daniel Nisa Cáceres 1
  1. 1 Universidad Pablo de Olavide
    info

    Universidad Pablo de Olavide

    Sevilla, España

    ROR https://ror.org/02z749649

Revista:
Amaltea: revista de mitocrítica

ISSN: 1989-1709

Año de publicación: 2024

Número: 16

Tipo: Artículo

DOI: 10.5209/AMAL.87904 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Amaltea: revista de mitocrítica

Resumen

Este artículo estudia la reescritura que Emily Hauser hace del mito de Atalanta en For the Winner (2017). Esta novela pertenece a una corriente literaria contemporánea de autoría femenina que da prominencia y voz a personajes y mitos femeninos de la tradición clásica. El escrutinio analítico del travestismo de Atalanta, así como de la reconstrucción de su identidad mítica ante las barreras de género revela los objetivos de Hauser: erigir un emplazamiento clave para atribuirle significados de determinación, agencia e igualdad de género, al tiempo que reubica culturalmente la centralidad masculina de sus representaciones canónicas y proporciona un replanteamiento feminista al mito.

Referencias bibliográficas

  • -Apollodorus. The Library. Vol. I: Books 1-3.9. Translated by James G. Frazer, Harvard UP, 1921.
  • -Barringer, Judith M. “Atalanta as Model: The Hunter and the Hunted.” Classical Antiquity, vol. 15, no. 1, 1996, pp. 48-76. https://doi.org/10.2307/25011031
  • -Carlà-Uhink, Filippo. “‘Between the human and the divine’: Cross-Dressing and Transgender Dynamics in the Graeco-Roman World.” TransAntiquity: Cross-dressing and Transgender Dynamics in the Ancient World, edited by Domitilla Campanile, Filippo Carlà-Uhink, and Margherita Facella, Routledge, 2017, pp. 3-37. https://doi.org/10.4324/9781315673844-1
  • -Clark, Matthew. Exploring Greek Myth. Wiley-Blackwell, 2012.
  • -Coupe, Laurence. Myth. Routledge, 1997. https://doi.org/10.4324/9780203888087
  • -Cox, Fiona. Aeneas Takes the Metro: Virgil’s Presence in Twentieth Century French Literature. Legenda, 1999. https://doi.org/10.4324/9781351199032
  • -Cox, Fiona. Sibylline Sisters: Virgil’s Presence in Contemporary Women’s Writing. Oxford UP, 2011. https://doi.org/10.1093/acprof:oso/9780199582969.001.0001
  • -Cox, Fiona. Ovid’s Presence in Contemporary Women’s Writing. Oxford UP, 2018.
  • -Cox, Fiona and Elena Theodorakopoulos, editors. Homer’s Daughters: Women’s Responses to Homer in the Twentieth Century and Beyond. Oxford UP, 2019. https://doi.org/10.1093/oso/9780198802587.001.0001
  • -Craft-Fairchild, Catherine. “Cross-Dressing and the Novel: Women Warriors and Domestic Femininity.” Eighteenth-Century Fiction, vol. 10, no. 2, 1998, pp. 171-202. https://doi.org/10.1353/ecf.1998.0007
  • -Filo, Gina. “Spermatique issue of ripe menstrous boils”: Gender Play in Donne’s Secular Lyrics.” Philological Quarterly, vol.95, no. 1, 2016, pp. 1-23.
  • -Franco Durán, María Jesús. El mito de Atalanta e Hipómenes: Fuentes grecolatinas y supervivencia en la literatura española. Consejo Superior de Investigaciones Científicas, 2016.
  • -Gellar-Goad, T. H. M. “Sex and Gender, Race and Orientalism in Steve Moore’s Hercules Comics.” The Modern Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century, edited by Alastair J. L. Blanshard and Emma Stafford, Brill, 2020, pp. 630-649. https://doi.org/10.1163/9789004440067_030
  • -Gualberto Valverde, Rebeca. Wasteland Modernism: The Disenchantment of Myth. Universitat de València, 2021.
  • -Handel, George Frederic. Atalanta, London, 1736.
  • -Hauser, Emily. For the Most Beautiful. Transworld (Penguin), 2016.
  • -Hauser, Emily. For the Winner. Transworld (Penguin), 2017.—. For the Immortal. Transworld (Penguin), 2018.
  • -Hauser, Emily. “When Classics Gets Creative: From Research to Practice.” TAPA, vol. 149, no. 2, 2019, pp. 163-177. https://doi.org/10.1353/apa.2019.0022
  • -Homer. The Odyssey. Translated by Emily Wilson, Norton, 2017.
  • -Hunter, Richard. Apollonius of Rhodes: Jason and the Golden Fleece (The Argonautica). Clarendon, 1993.
  • -Jeannerod, Mark. “The Mechanism of Self-Recognition in Humans.” Behavioural Brain Research, vol. 142, no. 1-2, 2003, pp. 1-15. https://doi.org/10.1016/s0166-4328(02)00384-4
  • -Justman, Stewart. “‘I am what you made me’: The Fabrication Metaphor and Its Significance.” Mosaic: A Journal for the Interdisciplinary Study of Literature, vol.30, no. 4, 1997, pp. 79-93.
  • -Leporini, Nicola. “The Transculturation of Mythic Archetypes: Margaret Atwood’s Circe.” Amaltea: Revista de mitocrítica, vol. 7, 2015, pp. 37-55.
  • -Lope de Vega y Carpio, Félix. Obras completas de Lope de Vega, vol. 8, edited by Manuel Arroyo Stephens, Turner, 1994.
  • -Lord Raglan. “The Hero of Tradition.” Folklore, vol. 45, 1934, pp. 212-231.
  • -MacCullough, Anna. “Gender Transformations in Apuleius’ Metamorphoses.” Narrating Desire: Eros, Sex, and Gender in the Ancient Novel, edited byMarília P. Futre, Marilyn B. Skinner, and Froma I. Zeitlin, De Gruyter, 2012, pp. 235-247. https://doi.org/10.1515/9783110282047.235
  • -Mansfield, Katherine. “The ‘Ambiguous Sex’: Cross-Dressing Heroines in Sensation and New Woman Fiction.” E-rea, vol.16, no. 2, 2019, pp. 1-44. https://doi.org/10.4000/erea.7561Mayor, Adrienne. The Amazons: Lives and Legends of Warrior Women across the Ancient World. Princeton UP, 2014. https://doi.org/10.1353/book.36169
  • -McConnell, Justine and Edith Hall, editors. Ancient Greek Myth in World Fiction since 1989. Bloomsbury, 2016. https://doi.org/10.5040/9781474256278
  • -Moreno Soldevila, Rosario. “Travestismo.” Diccionario de motivos amatorios en la literatura latina (Siglos III a.C.-II d.C), edited by Rosario Moreno Soldevila, Universidad de Huelva, 2011, pp.426-431.
  • -Nikolaou, Paschalis. “Introduction: Angloclassical?” Synthesis: An Anglophone Journal of Comparative Literary Studies, vol. 12, 2020, pp. 1-20. https://doi.org/10.12681/syn.25255
  • -Nisa Cáceres, Daniel. “‘Be My Trew Mistres Still, Not My Faignd Page’: Truth and Disguise in Donne’s ‘Elegy 16 ’.” Atlantis, vol. 26, no. 1, 2004, pp. 37-47.
  • -Nisa Cáceres, Daniel and Rosario Moreno Soldevila. “La mujer vestida de hombre en el teatro de Shakespeare y Lope de Vega: articulación e implicaciones de un recurso dramático.” Neophilologus, vol 86, 2002, pp. 537-555. https://doi.org/10.1023/A:1019681228004
  • -Nisa Cáceres, Daniel and Rosario Moreno Soldevila. “‘A dream within a dream’: liminalidad y creación poética en Lavinia de Ursula Le Guin y El silbido del arquero de Irene Vallejo.” Cuadernos de Filología Clásica. Estudios Latinos, vol. 40, no. 2, 2020, pp. 345-366. https://doi.org/10.5209/cfcl.73012
  • -Nisa Cáceres, Daniel and Rosario Moreno Soldevila—. “Hopes Woven in Smoke: Reimagining Virgil’s Aeneid in Irene Vallejo’s El silbido del arquero.” Neophilologus, vol. 106, no. 2, 2022, pp. 267-282. https://doi.org/10.1007/s11061-021-09721-6
  • -Ovid. Metamorphoses. Translated by Stephanie McCarter, Penguin, 2022.
  • -Plate, Liedeke. Transforming Memories in Contemporary Women’s Rewriting. Palgrave Macmillan, 2011. https://doi.org/10.1057/9780230294639
  • -Plath, Sylvia. Ariel: The Restored Edition. 1965. HarperCollins, 2004.Amaltea16_ART02_SEGUNDAS.indd 8Amaltea16_ART02_SEGUNDAS.indd 827/2/24 13:5927/2/24 13:59
  • -Rank, Otto. The Myth of the Birth of the Hero: A Psychological Exploration of Myth. Translated by Gregory C. Richter and E. James Lieberman, Robert Brunner, 1952.
  • -Ronk, Martha. “Locating the Visual in As You Like It.” Shakespeare Quarterly, vol.52, no. 2, 2001, pp. 255-276. https://doi.org/10.1353/shq.2001.0036
  • -Shakespeare, William. As You Like It, edited by Agnes Latham, Routledge, 1993.
  • -Weissman, David. Agency: Moral Identity and Free Will. Open Book Publishers, 2020. https://doi.org/10.11647/OBP.0197
  • -White, John J. Mythology in the Modern Novel: A Study of Prefigurative Techniques. Princeton UP, 2015. https://doi.org/10.1515/9781400871780
  • -Wixson, Christopher. “Cross-Dressing and John Lyly’s Gallathea.” SEL Studies in English Literature 1500-1900, vol. 41, no. 2, 2001, pp. 241-256. https://doi.org/10.2307/1556187Amaltea16_ART02_SEGUNDAS.indd 9Amaltea16_ART02_SEGUNDAS.indd 927/2/24 13:5927/2/24 13:59