Wyndham Lewis y su recepción en Españaetapas editoriales y traducciones

  1. Morató, Yolanda 1
  1. 1 Universidad de León
    info

    Universidad de León

    León, España

    ROR https://ror.org/02tzt0b78

Journal:
Quaderns de filologia. Estudis literaris
  1. Zaragoza Ninet, María Goretti (coord.)
  2. Martínez Sierra, Juan José (coord.)
  3. Ávila Cabrera, José Javier (coord.)

ISSN: 1135-4178

Year of publication: 2015

Issue Title: TRADUCCIÓN Y CENSURA: NUEVAS PERSPECTIVAS

Issue: 20

Pages: 183-197

Type: Article

DOI: 10.7203/QF-ELIT.V20I0.7536 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Quaderns de filologia. Estudis literaris

Abstract

Wyndham Lewis’s works remained untranslated into Spanish for almost a century, being one of the most peculiar cases in the Spanish literary world. The first complete translation was not published until 2005 (Dobles fondos, trans. M. Temprano). Even if many censored translations during Franco times were revised and published thanks to the flourishing period in the Spanish publishing sector in the first years of democracy, not a single work by Lewis was chosen. This article analyses his reception throughout different stages of the 20th century to analyse whether he was clearly censored in Spain or if, on the contrary, he was the victim of certain disconnected factors that made him fall into oblivion, despite his important contribution as an artist and a writer. Keywords: Modernism; translation; censorship; Wyndham Lewis; fascism.

Bibliographic References

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  • Morató, Yolanda. 2002. Wyndham Lewis y la estética del inconformismo (tesina). Huelva: Universidad de Huelva.
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Data source: Dialnet