La mirada extranjera al barroco andaluz a través de los libros de viaje (1940-1975).

  1. Victoria Sánchez Mellado 1
  1. 1 Universidad Pablo de Olavide
    info

    Universidad Pablo de Olavide

    Sevilla, España

    ROR https://ror.org/02z749649

Libro:
Pinceles y gubias del barroco iberoamericano: Vol. VII
  1. Fernández Valle, María de los Ángeles (ed. lit.)
  2. López Calderón, Carme (ed. lit.)
  3. Rodríguez Moya, Inmaculada (ed. lit.)

Editorial: Enredars ; Andavira

ISBN: 978-84-121445-3-6

Año de publicación: 2019

Páginas: 427-445

Congreso: Simposio Internacional de Jóvenes Investigadores del Barroco Iberoamericano (3. 2017. Sevilla)

Tipo: Aportación congreso

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Resumen

Through the analysis of fifty-three travel books written in the English language, this paper seeks to explore the opinions of these travelers regarding Andalusian painting and sculpture following their journeys during the Franco regime. This study, focused on the fields of baroque painting and sculpture, will reflect the importance that these writers gave to the works of Murillo, Velázquez, Zurbarán, Valdés Leal, Alonso Cano, Juan de Mesa, Pedro de Mena, as well as authors of the images of Holy Week in different cities (although mainly those of Seville). All these works would be admired by travelers for their ability to move worshipers and reveal their Spanish and Andalusian character.

Fuente de los datos: Dialnet