Caminando hacia la Gloriala transfiguración del espacio en la iglesia del Convento de Santa Clara de Carmona (Sevilla)
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Universidad Pablo de Olavide
info
- René J. Payo Hernanz (coord.)
- Elena Martín Martínez de Simón (coord.)
- José Matesanz del Barrio (coord.)
- María José Zaparaín Yáñez (coord.)
Éditorial: Universidad de Burgos
ISBN: 978-84-16283-64-4
Année de publication: 2019
Volumen: 1
Pages: 709-716
Congreso: Congreso Nacional de Historia del Arte (22. 2018. Burgos)
Type: Communication dans un congrès
Résumé
The church of the convent of Santa Clara in Carmona (Seville) expresses the symbiosis between architecture and painting from different periods. The nave, which is in Gothic-Mudejar style typical of the Late Middle Ages, was covered with a program which is ornamentally and ichnographically Baroque. The wall-painting displays a reticle that frames a series of painting on canvass with female saints and archangels on them. These paintings are linked to a Zurbaran-esque aesthetic; and in them, virtue is exalted as a guide for the Clarissa community.