Entre el barroco “salomónico” y el barroco “estípite”nuevas aportaciones sobre la retablística sevillana entre los siglos XVII y XVIII

  1. Salvador Hernández González 1
  2. Francisco Javier Gutiérrez Núñez 2
  1. 1 Universidad Pablo de Olavide
    info

    Universidad Pablo de Olavide

    Sevilla, España

    ROR https://ror.org/02z749649

  2. 2 I. E. S. Pablo Picasso
Book:
Espacios y muros del barroco iberoamericano
  1. María de los Ángeles Fernández Valle
  2. Carme López Calderón
  3. Inmaculada Rodríguez Moya

Publisher: Enredars ; Andavira

ISBN: 978-84-121445-2-9

Year of publication: 2019

Pages: 323-344

Type: Book chapter

DIALNET GOOGLE SCHOLAR lock_openRIO editor

Abstract

The Sevillian altarpiece flourished during the last third of the XVII century while the first third of the XVIIIth witnessed a transition from the ¨Solomonic¨ model that was becoming stagnant as the new pilaster model for altarpieces of the 18th exploded with great strength. New reports from the Provincial Historical Archives, in the Notarial Protocols section, provide information on new works (although unfortunately not always conserved) by a wide range of artists from different levels, some not yet well-known.

Data source: Dialnet